What makes a song a true sync gem for film or television? What do music supervisors look for when they are pitching and placing songs? Songwriters, artists, musicians, music publishers and record labels are always looking for the next big sync. Land the right one, and it can change the course of a single, an album, or even a career.
WIM LA presents to you a sync critique panel focused around placements in film and TV. In this session, we will playback songs from our WIM members and have our panel share insight into what works (and what doesn’t). Come hear how music supervisors find and place songs and learn what you can do to increase your chances of landing a sync.
Tiffany Anders | Music Supervisor
Kat Basolo | Vice President, Creative Synch at Kobalt Music
Yvette Metoyer | Music Supervisor/Owner, Sounds in Color
Keiko McTingley | Music Director at APM Music